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Not Dead Yet

Apologies once again for the long silence. Fortunately, I'm doing much better than I was when I wrote my last post, both emotionally and musically. In fact, I am putting the finishing touches on a 15-minute work for concert band, tentatively titled Siren Fantasy. I started right around Thanksgiving, arrived at a double bar a few days ago, and will be editing like mad shortly. I hope to get it wrapped up by the end of the month, and if I'm lucky, get a performance by the end of the semester. After having made many abortive attempts at writing for band, I'm very excited to have this one under my belt.

But for now, I am too busy to savor that feeling. I have been gearing up for the MIT Mystery Hunt, which starts tomorrow, and today I have a lot of packing to do. Puzzles are perhaps my greatest vice, and the Mystery Hunt is a weekend-long all-you-can-solve buffet of 100 or more delightfully difficult puzzles, perfect for a junkie like me. My team, Just for the Halibut, is in no danger of winning -- rather fortunately, as the winning team must then write the next year's Hunt -- but we have a lot of fun nonetheless.

The puzzles at the Mystery Hunt run the gamut from crosswords to logic puzzles to trivia to everything in between, including a fair number of music-related puzzles. Most music puzzles are centered around pop song identification, which I leave to my teammates, but there have been a few puzzles that skewed more towards my areas of expertise:

  • Go Bye-Bye, Whinging Muchacha! is a neat little puzzle from 2002, the year before I started Hunting. It hinges on recognizing a particular thing, but that thing is reasonably well known in the classical music world. The answer to this puzzle is a single word.
  • Stairway to Heaven is a puzzle from 2003 which draws on a good deal of musical trivia. The final solution -- which is not a word but an object or image -- hinges on knowledge of the MIT campus, but the relevant information can be found from within this virtual tour.
  • Having Fun, from 2004, is the only jazz-themed puzzle that I can think of. I single-handedly nailed that one, making my team one of only three to get it. I will say that I found the clue phrase very frustrating and misleading -- at one point the organizers informed me that the last word of the clue should be "TITLE," instead of what was given -- but the two-word answer is certainly apropos for the title.
  • Concerto Delle Oche Volanti eluded me in 2005 -- I assumed the puzzle involved much more sophisticated musical knowledge than was actually required. I have an unfortunate tendency to overthink puzzles with simpler mechanics sometimes.

If I ever get to help write the Mystery Hunt, I have some ideas for music-related puzzles I'd like to try, but I have to show some restraint. While I could easily write a 12-tone composition which encodes the letters of the answer in the different row operations, I can't imagine that being fun to solve for most teams. But I have other tricks up my sleeve...

In any event, I should go finish packing. And don't be surprised if I wind up gushing about the Mystery Hunt sometime next week. And yes, I will try to write about music, too.

News has a kind of mystery...

...well, maybe not so much with this news. But then, my news is hardly as exciting as Nixon landing in China (and be thankful I didn't type out the title with all the repetitions James Maddalena sings). But I have good news and bad news and more good news!

First, the bad news: my second recital did not get recorded. It was completely my fault. I spent 20 minutes before the recital setting up the mics and checking sound levels on my digital recording studio, and when it came time for the recital to begin, I forgot to actually press "record." Seconds after playing the final chord of the last piece on the program, this oversight dawned on me, and a quick look at the studio confirmed this. It's tough for me to juggle the roles of composer, performer, sound engineer, and many others all at once, but that's the path I've chosen for now. C'est la vie.

But there is also good news! I have finished editing the recordings from the first recital, and Anarchist Nut: Live at the Lily Pad is now available at the store. You can purchase individual works, or the complete recital, with or without my spoken introductions and segues. Please allow me to tempt you with the following tracks:

Four Little Preludes, no. 3 (Nathan Curtis, piano)
"Panic" from Song and Dance: Panic and Repose (Nathan Curtis, piano)
"Skinny Domicile (Emily Dickinson)" from the Holy Tango Songbook (text by Francis Heaney; Lorinne Lampert, mezzo-soprano; Stephen Williams, piano)

Well, what are you waiting for? Go and make me rich!

Oh, wait! Come back! I had one more bit news to share. This weekend, as part of their festival celebrating T.J. Anderson's 80th birthday, Tufts University is presenting a memorial concert for composer Jennifer Fitzgerald, who died of breast cancer last December. I will be performing Lyric Homage, a new composition based on fragments from Jennifer's Lyric II. For more information, see the event listing here.

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